When a meddlesome mother enrolls in university with her son, old and new worlds collide with awesome consequences.

A self sacrificing, selfless mother who makes the impossible "possible" for her daughter - a daughter who is ashamed of her mother and wants to run away from her mother and her life with her. Her journey to the college drives Nazli away from the village she has grown up - but years later, she wants to go back to the village where she was born, back to her mother - after all those years passed by with tons of "I wish". Candan Ercetin performed her song "Annem - Mom" once again for the movie twenty years later.

Anam, age 40, is a traditional Turkish wife and mother who lives with her family in a German city. She works as a cleaner and has made two friends: man-crazy German Rita and superstitious African Didi. When she finds out that her 20-year-old son Deniz has drifted into the drug scene and her husband Mehmet is having an affair with a colleague, her whole world collapses around her. Although desperate she is determined to fight and goes looking for Deniz. Instead she finds his girlfriend Mandy, who is also a drug addict. She decides to take care of the girl who is a stranger to her and finds herself confronted with an entirely unknown world. When she finally manages to track Deniz down to the cold-blooded dealer Hassain, he rejects her. Anam is forced to realize that painful as it is she can only help Deniz if he is prepared to accept her help

Hong Kong movie

It tells the story of Ga-young, a film student at university who is not on good terms with her mother. Her mother doesn't expect much from Ga-young, who has been in school for seven years. She often tells Ga-young that she has no talent and her future is unclear. In turn, Ga-young harbours hatred for her mother for belittling and disparaging her. (London Korean Film Festival)

Clara's mother is on her death bed as she tells her daughter that she regrets they are not closer. This revelation causes Clara to pursue a closer relationship with her own daughter, Bianca.

It's a glowing late summer day. Karin and Mirjam are playing horse. Daddy stopped talking long ago. Mommy has a serious problem with body hair. Really serious. The Horse Man cometh, and things are about to change.

Patricia Uberoi, an Australian woman, married an Indian professor in the 60s and moved to his home in New Delhi. They raised three children there, but the riots and the anti-Sikh feelings led to her encouraging her children to move to Australia. A documentary about a multicultural family becomes a commentary on the events surrounding the anti-Sikh riots of 1984.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video." Kohei Ando produced experimental films for Shuji Terayama's theater company, Tenjo Sajiki. Using a 16mm camera he purchased with Terayama, Ando produced first film, Oh! My Mother (1968). His works include My Sons (1971), On The Far Side of Twilight (1994), and Whispers of Vermeer (1998). He has won awards at the Hawaii International Film Festival and the Monterey Electronic Cinema Festival.

A mother steals her estranged daughter's identity to escape an abusive boyfriend but when he finds her again, she's threatened all the more. But is the ex-boyfriend behind the threat or someone else? It's the forgiving daughter who must save her mother from the exposed villain.